La belle noisseuse

2015–2022, mixed media, digital painting, glitch interventions, drawing

This series takes its name and conceptual core from The Unknown Masterpiece by Honoré de Balzac: a story about an aging painter who devotes years to a work he believes to be his magnum opus. When revealed, the painting is nearly abstract, an indecipherable swirl from which only a hyperrealistic foot emerges. The story has haunted artists for nearly two centuries, becoming a parable of perfectionism, obsession, and the collapse of meaning under the weight of artistic ambition.

In La belle noisseuse, I revisit this mythic painting, not to reconstruct it, but to explore its paradoxes. Each piece begins with a traditional or figurative structure, only to be undone, erased, or overwritten by layers of digital intervention. Bodies appear and disappear, detail gives way to distortion, and the seductive clarity of form is broken apart by noise.

These works are about the act of painting as much as the image itself. About repetition, failure, doubt, and the seductive violence of revision. They ask what it means to pursue a vision that might not exist, and whether the ruin of that pursuit can be beautiful in its own right.